ARTICLE
Volume 2,Issue 8
20 June 2026
贵州民歌《摘菜调》艺术特征及情感表达
杨琳 唐1
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1
广西艺术学院,
中国
HASS 2026 , 2(6), 64–66;
https://doi.org/10.61369/HASS.2026060033
© 2026 by the Author(s). Licensee Art and Technology, USA. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution -Noncommercial 4.0 International License (CC BY-NC 4.0) ( https://creativecommons.org/licenses/by-nc/4.0/ )
Abstract
黔北花灯小调是贵州民间音乐的重要组成部分，承载着西南多民族交融的地域文化特质。本文以经典贵州民歌《摘菜调》为研究对象，梳理其地域文化背景与版本流变历程，系统剖析作品的歌词文本、音乐形态与演唱风格等核心艺术特征，并深度挖掘歌曲蕴含的劳动审美、乡土情怀与诙谐美学意蕴。研究厘清作品的艺术内核与文化价值，可为西南乡土民歌的理论研究、舞台演绎与当代传承创新提供有效参考。
Keywords
《摘菜调》
黔北花灯
民间小调
艺术特征
情感审美
References
[1]陈世涛.传统民歌的现代律动:贵州民歌《摘菜调》的艺术特征探析[J].黄河之声, 2026(3).
[2]冯彬.别样风采指尖绕 板胡弓下花灯调——谈板胡独奏曲《摘菜调》的艺术特色[J].戏剧之家, 2018(20):1.
[3]曹吉祥,刘洁琪.贵州民歌《摘菜调》的艺术特征与演唱研究[J].黄河之声, 2026(9).
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